![]() Over numerous late-night phone calls, he and Tiga discuss if this could really be possible. He says he wants to compose accompanying piano pieces (counterparts) for each of the tracks. ![]() ![]() Gonzales says it’s one of the only techno records he’s ever fell in love with. Gonzales asks Tiga if he knows Richie Hawtin personally, and if he is familiar with Consumed. Beat-driven club music doesn’t make sense. Time is no longer scarce neither in their lives nor down by the record company punch-clock. This allows each artist their own space within the project, more of a sonic conversation between them than a conventional collaboration.Ībove the shifting sands of a global pandemic, the stars align. They all agree that Chilly should continue recording his solitaire interpretations and then once finished, Hawtin would come on board to mix the new combined work. Regardless, he steps in as the conduit between both artists and becomes a sounding board of ideas, helping to translate the thought processes of two artists coming from distinctly different worlds. Tiga calls Hawtin, fully aware that asking to reopen what is in some ways the platonic ideal of the hermetically-sealed solo artist album might be sacrilege. As an experiment, Chilly records three solo piano demo versions. ![]() It will be one composer instinctively reacting to-and finding space within-another composer’s already completed work which he adores. It will not be some “inspired by” abomination. The concept is earth-shattering in its simplicity: Chilly Gonzales will compose and play piano pieces over and within the entirety of Consumed. ![]() Above the shifting sands of a global pandemic, the stars align. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. Archives
December 2022
Categories |